Heartbreaking Jerks and Staggering Genius, Part 2

That's right, you knew this was coming. Something about the "Part 1" in the title of the last post. It was just getting so long for a post on a blog that is ostensibly structured around a 17-syllable poem, but I still had more to say.

It's just that seeing Sybil Lamb read and hearing about her various antics reminded me just a little of my first girlfriend, who was also a terrifying genius, who I was afraid to be around because she bullied me and drove drunk, blowing through red lights in lower Manhattan, and started fights with huge cis dudes on the street and wanted to kill the president and wanted to know where I was every minute of the day, but who I hung around for six breathless months because she published slash fiction about PJ Harvey that freaked out a whole web forum and recorded an entire electronic music album on her computer about Super Mario and wrote semi-erotic poetry about her dog and took photographs of road signs and the moon. And who was almost six feet tall although not an actual Tall Girl.

It was a weird time in my life. I was a graduate student of creative writing at a conservative, Catholic football school in the Midwest (why???) and was living with my ex (because we were too co-dependent to do anything different), and she pushed all my boundaries and questioned many of my long-held beliefs. For example, beliefs that I wasn't all that interested in illegal substances. Which turned out to be true, but there's something to be said for testing our own theories now and then.

Anyway, J, if you're out there, I'm glad I knew you and I'm glad I don't know you anymore, and I hope you're still fucking shit up and making someone rethink everything they thought they knew.

Poem for a Mean Love

While on date with me,
Makes out with strange dude in bar.
"See? I ain't no dyke."

No Better Man Still Alive

This post starts with a confession. Tonight it was thunderstorming, and I sat on the couch drinking bourbon by myself and watching the Pearl Jam 20th anniversary documentary.

OK, there's more to it. In high school, I loved Eddie Vedder so much I wanted to be him *and* fuck him. Remind me to find you a photo of myself with long, straggly curls, cutoff Army pants, and Doc Martens--my sophomore year uniform.

Probably because of shame (and/or Netflix), it's taken me a few years to get around to watching 20. Also, I was nervous. Maybe like meeting up with a crush 20 years later and having to take a good look at them--and yourself--in the light of day, as it were.

But then the opening scene has Eddie on MTV wearing eye makeup and an outfit he'd borrowed from D'Arcy Wretzky of the Smashing Pumpkins, and I knew I was going to fall all over again. And I felt better about my continued appreciation for Ten seeing him perform those early shows in his Cramps and Sugarcubes t-shirts, or seeing "Fugazi" Sharpied on his arm for the Headbanger's Ball interview. Plus, there's the epic Vedder-Cornell bromance to warm one's heart.

Temple of the Dog fan fiction, anyone?

So it seems I've unearthed another root, one of those early experiences that shape your identity and inform your boners for decades to come.

To be fair (to me), I couldn't follow the last half of the movie (I vaguely remember Neil Young? Ticketmaster?) and don't talk to me about any Pearl Jam albums since Vitology. But somewhere in my heart (slash pants) it will always be 1991.

Poem for Two Decades of Flannels

"Don't call me daughter"
Eddie Vedder in a bra
Grunge is my gender

Finding My Root

Last summer, in wishing Prince a happy birthday via haiku, I credited Purple Rain with helping form some of my early perceptions of masculinity. I watched it last night after not having seen it for many years, this time looking for clues about myself via the movie's portrayal of gender and sexuality. I made the following observations:

This is what I think a grown man's bedroom looks like.

This is how I think men who love women dress.

And this is how I think they dance.

This is what I think flirting is.

Also this.

And this is the most romantic five minutes in cinema history.

Haiku for a Tiny, Purple Role Model

He's not a woman,

Not a man. He is something

You won't understand.